<b>The rise of the exhibition as critical form and artistic medium, from Robert Smithson''s antimodernist non-sites in 1968 to today''s institutional gravitation toward the participatory.</b><p>In 1968, Robert Smithson...
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<b>Why embodied approaches to cognition are better able to address the performative dimensions of art than the dualistic conceptions fundamental to theories of digital computing.</b><p>In <i>Making Sense</i>, Simon Penny...
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<i>Suffrage and the Arts</i> re-establishes the central role that artistic women and men¿from jewellers, portrait painters, embroiderers, through to retailers of ¿artistic¿ products¿played in the suffrage campaign in the British Isles....
kr 379.00
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