<P>Fully revised and updated, <EM>Archival Storytelling</EM> second edition is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today. </P><P>Whether you''re a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials-images, audio, or music that you yourself did not create-to use them in your work. This book explains what''s involved in researching and licensing visuals and music, and exactly what media makers need to know when filming in a world crowded with rights-protected images and sounds. Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival us
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<P>For nearly two decades, <I>Documentary Storytelling</I> has reached filmmakers and filmgoers worldwide with its unique focus on the key ingredient for success in the global documentary marketplace: storytelling. </P><P></P><P>As...
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As early twentieth-century colonial expansion and industrialization helped connect corners of the world, modernist art sought to engage with ideas of different cultures without homogenizing their differences. This book offers new readings of key modernists...
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In the sixth edition of <i>Contested Knowledge,</i> social theorist Steven Seidman presents the latest topics in social theory and addresses the current shift of ''universalist theorists'' to networks of clustered debates.<br/><ul><li>Responds...
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Judges often behave in surprising ways when they re-interpret laws and constitutions. Contrary to existing expectations, judges regularly abandon their own established interpretations in favor of new understandings. In Reconstructing Rights, Stephan Stohler...
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