<DIV>In <I>Autonomy</I> Nicholas Brown theorizes the historical and theoretical argument for art''s autonomy from its acknowledged character as a commodity. Refusing the position that the distinction between art and the commodity has collapsed, Brown demonstrates how art can, in confronting its material determinations, suspend the logic of capital by demanding interpretive attention. He applies his readings of Marx, Hegel, Adorno, and Jameson to a range of literature, photography, music, television, and sculpture, from Cindy Sherman''s photography and the novels of Ben Lerner and Jennifer Egan to <I>The Wire</I> and the music of the White Stripes. He demonstrates that through their attention and commitment to form, such artists turn aside the determination posed by the demand of the market, thereby defeating the foreclosure of meaning entailed in commodification. In so doing, he offers a new theory of art that prompts a rethinking of the relationship between art, critical theory, and c
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Features a Russian language course for beginners. This book is designed to provide the student with an excellent command of basic Russian (the equivalent of A level standard). It features thirty lessons punctuated by revision exercises. It places an emphasis...
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An essential reference for coursework, exam preparation, clinical rotations, and day-to-day clinical practice, <B><I>Atlas of Osteopathic Techniques</I></B> delivers step-by-step, full-color guidance on manipulative methods commonly...
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