<b>The rise of the exhibition as critical form and artistic medium, from Robert Smithson''s antimodernist non-sites in 1968 to today''s institutional gravitation toward the participatory.</b><p>In 1968, Robert Smithson reacted to Michael Fried''s influential essay “Art and Objecthood” with a series of works called non-sites. While Fried described the spectator''s connection with a work of art as a momentary visual engagement, Smithson''s non-sites asked spectators to do something more: to take time looking, walking, seeing, reading, and thinking about the combination of objects, images, and texts installed in a gallery. In <i>Beyond Objecthood</i>, James Voorhies traces a genealogy of spectatorship through the rise of the exhibition as a critical form—and artistic medium. Artists like Smithson, Group Material, and Michael Asher sought to reconfigure and expand the exhibition and the museum into something more active, open, and democratic, by inviting spectators into n
Pris: kr 429.00 fra Norli
Butikk | Pris | |
---|---|---|
kr 429.00 | Besøk butikk |
<b>Reclaiming the artist Ana Mendieta as a formally innovative maker of performative art who forged connections to the marginalized around the world.</b><p>The artist Ana Mendieta (1948–1985) is remembered as the creator of powerful...
kr 469.00
Mer informasjon
Drawing on published and unpublished interviews with Wendy Carlos and with other people in her life and career, this full biography tells the story of Carlos' life from her childhood in Pawtucket, Rhode Island to her present life in New York and...
kr 469.00
Mer informasjon
<b>Very Short Introductions<b>: Brilliant, Sharp, Inspiring </b>Four o''clock in the morning, and the lights are on and still there''s no way we''re going to sleep, not after the film we just saw. The book...
kr 169.00
Mer informasjon