Shakespeare is at the heart of the British theatrical tradition, but the contribution of Ira Aldridge and the Shakespearean performers of African, African-Caribbean, south Asian and east Asian heritage who came after him is not widely known. Telling the story for the first time of how Shakespearean theatre in Britain was integrated from the 1960s to the 21st century, this is a timely and important account of that contribution. Drawing extensively on empirical evidence from the British Black and Asian Shakespeare Performance Database and featuring interviews with nearly forty performers and directors, the book chronicles important productions that led to ground-breaking castings of Black and Asian actors in substantial Shakespearean roles including: ¿ Zakes Mokae (<i>Cry Freedom</i>) as one of three black witches in William Gaskill¿s 1966 production of <i>Macbeth</i> at the Royal Court Theatre. ¿ Norman Beaton as Angelo in Michael Rudman¿s 1981 production of <i>Measure for Measure</i> a
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