Gilles Deleuze was one of the most influential figures in twentieth-century philosophy, well known for his works on the philosophy of art and for his master-works, <i>Difference and Repetition</i> and - with Felix Guattari - <i>A Thousand Plateaus</i> and <i>Anti-Oedipus</i>.<i>Cinema I</i> is the first volume of Deleuze¿s revolutionary work on the theory of cinema (concluded in <i>Cinema II</i>, also available in the Bloomsbury Revelations series). Drawing on the philosophy of Henri Bergson, Deleuze identified his work as ¿a logic of the cinema¿, setting out to ¿isolate certain cinematographic concepts¿ philosophically. To do this, he brings together diverse examples from a variety of major filmmakers, including Ingmar Bergman, Charlie Chaplin, Sergei Eisenstein and Alfred Hitchcock, among many others.
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Since its publication in 1968, <i>Difference and Repetition</i>, an exposition of the critique of identity, has come to be considered a contemporary classic in philosophy and one of Gilles Deleuze''s most important works. The text...
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<i>A Thousand Plateaus</i> is the second part of Deleuze and Guattari''s landmark philosophical project, <i>Capitalism and Schizophrenia</i> - a project that still sets the terms of contemporary philosophical debate....
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The collaboration of the philosopher Gilles Deleuze and the psychoanalyst Felix Guattari has been one of the most profoundly influential partnerships in contemporary thought. <i>Anti-Oedipus</i> is the first part of their masterpiece, <i>Capitalism...
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<p>What is needed for something new to appear? According to Gilles Deleuze, one of the most brilliant of contemporary philosophers, this question of ¿novelty¿ is the major problem posed by Bergson¿s work. In <i>Bergsonism</i>, Deleuze...
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