<P>Directly addressing the underrepresentation of Black composers in core music curricula,<I> Expanding the Canon: Black Composers in the Music Theory Classroom </I>aims to both demonstrate why diversification is badly needed and help faculty expand their teaching with practical, classroom-oriented lesson plans that focus on teaching music theory with music by Black composers.</P><P>This collection of 21 chapters is loosely arranged to resemble a typical music theory curriculum, with topics progressing from basic to advanced and moving from fundamentals, diatonic harmony, and chromatic harmony to form, popular music, and music of the twentieth and twenty-first centuries. Some chapters focus on segments of the traditional music theory sequence, while others consider a single style or composer. Contributors address both methods to incorporate the music of Black composers into familiar topics, and ways to rethink and expand the purview of the music theory curriculum. A foreword
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If the sheer diversity of recent hits from Twelve Years a Slave to Get Out, to Black Panther tells us anything, it might be that there's no such thing as ""black film"" per se. This book is timely, then, in expanding our idea...
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