The definitive monograph on the iconoclastic painter George Condo. With his arresting, unsettling style, George Condo emerged out of the dynamism of the New York art scene in the early 1980s, and he has been restlessly painting, drawing and sculpting - bringing forms into the world in one way or another - ever since. With his 'fake' Old Masters, reconfigured Manets, impossibly intricate paintings that seem abstract only from a distance, fractured and multifaceted 'psychologically Cubist' portraits, and the orgiastic misdemeanours of a host of butlers, bankers and priests, Condo has invented, mastered and expanded not just one painterly language but an entire lexicon. Working closely with Condo, Simon Baker has combined biographical, chronological and thematic approaches to survey the artist's work and career to date. An introductory essay on Condo's contradictory nature and a chapter exploring his phenomenal early career are followed by three thematic chapters that look at the years fr
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<b>George Condo’s unconventional paintings are illuminated in context with his vast range of artistic influences—from Tiepolo to Picasso to Basquiat, and from psychedelic to new wave.</b><br><br>George Condo is renowned...
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How a generation of women artists is transforming photography with analogue techniques. ¿Beginning in the 1990s, a series of major artists imagined the expansion of photography, intensifying its ideas and effects while abandoning many of its former medium...
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Engaging story of the unusually tall jockey George Baker, who made it to the top before a life changing fall.
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