<DIV>In <I>Image Matters</I>, Tina M. Campt traces the emergence of a black European subject by examining how specific black European communities used family photography to create forms of identification and community. At the heart of Campt''s study are two photographic archives, one composed primarily of snapshots of black German families taken between 1900 and 1945, and the other assembled from studio portraits of West Indian migrants to Birmingham, England, taken between 1948 and 1960. Campt shows how these photographs conveyed profound aspirations to forms of national and cultural belonging. In the process, she engages a host of contemporary issues, including the recoverability of non-stereotypical life stories of black people, especially in Europe, and their impact on our understanding of difference within diaspora; the relevance and theoretical approachability of domestic, vernacular photography; and the relationship between affect and photography. Campt places special emphasis o
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<b>Examining the work of contemporary Black artists who are dismantling the white gaze and demanding that we see--and see Blackness in particular--anew.</b><br><br>In <i>A Black Gaze</i>, Tina Campt examines Black contemporary...
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We have a serious problem with the image of teaching in this country. In the eyes of many, teaching is not truly a profession akin to other professions. In the popular imagination, it is not on a par with medicine, law or accountancy, engineering, architecture...
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EPDF and EPUB are available open access under CC BY NC ND licence. This publication was supported by University of Essex's open access fund. Peter Appleton builds on research interviews with care-experienced young adults, and on cross-disciplinary...
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Knowing and understanding the truth of the Bible has never been more important than it is now in these times of collective doubt and crumbling institutions. But as important as absolute truth is, Hank Hanegraaff believes its value pales in comparison...
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