<strong>Images: A Reader</strong> provides a key resource for students, academics, practitioners and other readers engaged in the critical, theoretical and practical study of images. The Reader is concerned with the notion of the ''image'' in all its theoretical, critical and practical contexts, uses and history. The Reader provides a map of the differences and similarities between the various disciplinary approaches to images, breaking the ground for a new interdisciplinary study of images, in the arts and humanities and beyond.<p> </p><p><strong>Images: A Reader</strong> is divided into three parts:</p><p> </p><p>• <strong>Historical and Philosophical Precedents</strong> sets the background for contemporary debates about images.</p><p>• <strong>Theories of Images</strong> provides key texts of the major approaches through which images are conceptualised.</p><p>• <strong>Image Culture </strong>introduces some of the more recent debates about images and today''
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The rebirth of realistic representation in Italy around 1300 led to the materialization of a pictorial language, which dominated Western art until 1900, and it dominates global visual culture even today. Paralleling the development of mimesis, self-reflexive...
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<P>Between Still and Moving Images traces the evolving concepts of movement, duration, and the moment grounded in the fusion of still and moving images. By examining the relationship between different forms of visual media, the essays in this collection...
kr 399.00
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Investigates deliberate fragmentation and damaging of figurines across a range of societies and periods.
kr 779.00
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