<P>Iranian films have been the subject of much critical and scholarly attention over the past several decades, and Iranian filmmakers are mainstays of international film festivals. Yet most of the attention has been focused on a small segment of Iranian film production: auteurist art cinema. <I>Iranian Cinema in a Global Context, </I>on the other hand, takes account of the wide range of Iranian cinema, from popular youth films to low budget underground films. The volume also reassesses the global circulation of Iranian art cinema, looking at its reception at international festivals, in university curricula, and at the Academy Awards. A final theme of the volume explores the intersection between politics and film, with essays on post-Khatami reform influences, representations of ineffective drug policies, and the representation of Jewish characters in Iranian film. Taken together, the essays in this volume present a new definition of the field of Iranian film studies, one that engages g
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Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspective.
kr 1179.00
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<DIV>Hamid Naficy is one of the world’s leading authorities on Iranian film, and <I>A Social History of Iranian Cinema</I> is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries,...
kr 399.00
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<P>As an endeavor to contribute to the burgeoning field of comparative literature, this monograph addresses the dynamic yet understudied "intertextual dialogism" between modern American literature and contemporary Iranian Cinema, pinpointing...
kr 469.00
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<p><b>Presents a clear and comprehensive </b><b>introduction to the evolving discipline of global art studies</b> </p><p>This volume examines how art historians, critics, and artists revisit art from ancient times...
kr 439.00
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