Italian Film In The Present Tense Av Millicent Marcus

<p>For observers of the European film scene, Federico Fellini''s death in 1993 came to stand for the demise of Italian cinema as a whole. Exploring an eclectic sampling of works from the new millennium, <i>Italian Film in the Present Tens</i>e confronts this narrative of decline with strong evidence to the contrary.</p><p>Millicent Marcus highlights Italian cinema''s new sources of industrial strength, its re-placement of the Rome-centred studio system with regional film commissions, its contemporary breakthroughs on the aesthetic front, and its vital engagement with the changing economic and socio-political circumstances in twenty-first-century Italian life. Examining works that stand out for their formal brilliance and their moral urgency, the book presents a series of fourteen case studies, featuring analyses of such renowned films as <i>Il Divo, Gomorrah, The Great Beauty, We Have a Pope, The Mafia Only Kills in the Summer, </i> and <i>Fire at Sea</i>, along with lesser-known works

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