This book is about a shared journey made by John and Myfanwy Piper who early on settled down in a small hamlet on the edge of the Chilterns, whence they proceeded to produce work which placed them centre stage in the cultural landscape of the twentieth century. Here, too, they fed and entertained many visitors, among them Kenneth Clark, John Betjeman, Osbert Lancaster, Benjamin Britten, and the Queen Mother. Their creative partnership encompasses not only a longmarriage and numerous private and professional vicissitudes, but also a genuine legacy of lasting achievements in the visual arts, literature and music. Frances Spalding also sheds new light on the story of British art in the 1930s. In the middle of this decade John Piper and Myfanwy Evans (they did not marry until 1937) were at the forefront of avant-garde activities in England, Myfanwy editing the most advanced art magazine of the day and John working alongside Ben Nicholson, Barbara Hepworth, Henry Moore, and others. But as t
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An innovative study of underage soldiers and their previously unrecognized impact on Civil War era America. The smooth faces of boy soldiers stand out in Civil War photography, their spindly physiques contrasting with the uniformed adults they stood alongside....
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'Frances Stonor Saunders has almost single-handedly started off a branch of sub-history; the cultural cold war. Who Paid The Piper? is an extraordinarily good book and I do recommend it to anyone who's remotely interested in the period'-...
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The Gambling Century uses extensive archival material as well as printed sources, to follow its subjects from the Court to the coffeehouse, to private clubs and "at homes" in townhouses, all of which prefigure that quintessentially modern gambling...
kr 349.00
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