What does it mean when a singing voice is detached from an originating body through recording? And how does this affect consumers of recorded song? This book examines the practice of lipsynching to pre-recorded song in both professional and vernacular contexts, covering over a century of diverse artistic practices from early cinema through to the current popularity of self-produced internet lipsynching videos. It examines the ways in which we listen to, respond to, and use recorded music, not only as a commodity to be consumed but as a culturally-sophisticated and complex means of identification, a site of projection, introjection, and habitation, and, through this, a means of personal and collective creativity.
Pris: kr 279.00 fra Norli
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Never set up an office before? Worried about putting together a realistic budget for your movie? Ever had to feed a hungry film crew? How about a press kit for your movie, for the festival? This title features tips, facts, checklists, and more.
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Covering the period 1390-1488, MacKay publishes the second portion of the Lord Stewartby Collection, the most important collection of Scottish coins ever put together by a private individual. Shortly before his death in March 2018, the collection was...
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Welsh post-punk band Young Marble Giants released one LP in 1980 and then, like their vanishing portraits on the album¿s cover, disappeared. Even though <i>Colossal Youth</i> received positive reviews and sold surprisingly well, Young Marble...
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This book looks at the most important part of the filmmaking process from the point of view of those who grind away at a keyboard or notepad trying to bring new ideas and perspectives to an increasingly diversified world. Using <i>The Guerilla Film...
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