This innovative study finds that, through his unique representation of violence, Argentine director Pablo Trapero has established himself as one of the 21st century¿s distinctly political filmmakers. By examining the broad concept of violence and how it is represented on-screen, Douglas Mulliken identifies and analyzes the ways in which Trapero utilizes violence, particularly ¿i¿ek¿s concept of objective violence, as a means through which to mediate the politicalThrough a focus on several previously under-studied elements of Trapero¿s films, Mulliken highlights the ways in which the director¿s work represents present-day concerns about social inequalities and injustice in neoliberal Argentina on-screen. Finally, he examines how Trapero combines aspects of Argentina¿s long tradition of political film with elements of Nuevo Cine Argentino to create a unique political voice.
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<P>This book investigates how Uyghur-related violent conflict and Uyghur ethnic minority identity, religion, and the Xinjiang region, more broadly, became constituted as a ¿terrorism¿ problem for the Chinese state. </P><P>Building...
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<P><B><I>Politics, Violence, Memory</I></B><B> highlights important new social scientific research on the Holocaust and initiates the integration of the Holocaust into mainstream social scientific research in a way...
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Following Argentina''s military operation to take possession of the Falkland Islands/Islas Malvinas, British Prime Minister Margaret Thatcher''s government launched a major naval operation to return them to British rule. Defending...
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