<P>Writing with his customary wit and style, Richard Dyer argues that while pastiche can be used to describe works which contain montage or collage, it can also be used to describe works which are a kind of imitation of previous works. </P><P>Investigating a wide range of cultural texts drawn from films, videos, novels, poetry, rap tracks, music and painting, Richard Dyer explores issues of text, genre, and the use of pastiche as a resource within a work. The final chapter draws together the underlying concern of the book with affect and poetics and discusses the politics of pastiche.</P>
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Brief Encounter (1945), adapted from Noel Coward''s play Still Life, is a classic of British cinema ¿ a tale of impossible love between a married woman and a man she meets while waiting for a train. Though it''s a film made by men,...
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Richard Dyer is a foundational figure for the critical study of cinema and popular culture. Across a career spanning five decades, he has made path breaking contributions to our understanding of stardom and celebrity, gay and queer politics and cultural...
kr 399.00
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<P>Now twenty years since its initial release, Richard Dyer¿s classic text <I>White </I>remains a groundbreaking and insightful study of the representation of whiteness in Western visual culture.</P><I><P>White</I>...
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Fellini''s <i>La dolce vita</i> has been a phenomenon since before it was made, a scandal in the making and on release in 1960 and a reference point ever since. Much of what made it notorious was its incorporation of real people,...
kr 199.00
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