<DIV>Presenting two decades of work by Abigail Solomon-Godeau, <I>Photography after Photography </I>is an inquiry into the circuits of power that shape photographic practice, criticism, and historiography. As the boundaries that separate photography from other forms of artistic production are increasingly fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic, argues that the relationships between photography, culture, gender, and power demand renewed attention. In her analyses of the photographic production of Cindy Sherman, Robert Mapplethorpe, Susan Meiselas, Francesca Woodman, and others, Solomon-Godeau refigures the disciplinary object of photography by considering these practices through an examination of the determinations of genre and gender as these shape the relations between photographers, their images, and their viewers. Among her subjects are the 2006 Abu Ghraib prison photographs and the Cold War-era exhibition <I>The Family of Man</I>, insofar as the
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<P>This seminal photography text, now in its 10<SUP>th</SUP> edition and celebrating its 50<SUP>th</SUP> anniversary, has been revamped, reorganized, and modernized to include the most up-to-date, need to know information...
kr 519.00
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<P>Now in its sixth edition, this seminal textbook examines key debates in photographic theory and places them in their social and political contexts. Written especially for students in further and higher education and for introductory college courses,...
kr 423.00
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<p><b>This lavish coffee-table book traces the history of photography from the first black and white images to celebrated examples of 21st-century digital photography.</b><br><br><i>Photography </i>celebrates...
kr 359.00
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