Racionais Mcs' Sobrevivendo No Inferno Av Derek (aarhus University Denmark) Pardue

In 1997 the rap group Racionais MCs (the ¿Rational¿ MCs) recorded the album <i>Sobrevivendo no Inferno </i>(Surviving in Hell), subsequently changing the hip-hop scene in S¿Paulo and firmly establishing itself as the point of reference for youth across Brazil. In an era when rappers needed to defend the very idea that their work was indeed <i>music</i> and a time when neighborhoods such as Cap¿Redondo, from where Racionais frontman Mano Brown hailed, often topped homicide statistics, <i>Sobrevivendo </i>empowered as it provoked. As one journalist noted, ¿the underworld of S¿Paulo¿s working-class suburbs is dominated by cheap thrills and provides little space for representation.¿ <i>Sobrevivendo </i>changed all of that; a brutal but invigorating imagination was born. The lure of <i>Sobrevivendo </i>is the particular combination of word and sound that powerfully involves listeners, especially those millions of young Brazilians who live in the neighborhoods on the periphery of Brazil¿s me

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