Regarding Ingres Av Darin Strauss

<b>Talented emerging fiction writers find inspiration in one of the most famous paintings in New York’s Frick Collection: Jean-August-Dominique Ingres’s <i>Comtesse d’Haussonville</i> from 1845.</b><br><br>Following the successful literary musings on art at the Frick, <i>The Sleeve Should Be Illegal</i> and <i>Cocktails with a Curator</i>, this anthology of newly commissioned texts from graduate students in New York University’s Creative Writing Program pays homage to one of the institution’s most celebrated paintings.<br><br>Gathered here are fourteen fictional stories inspired by one of Ingres’s most captivating portrait paintings. A detail of the work—the fine silk dress, a red ribbon, a shawl casually draped over the arm of a chair, the contents of a tabletop, the contemplative pose—is the starting point for each story. The pieces range from gothic tales that take place at the time of the painting in the mid-nineteenth century and sto

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