<P>The intersections of religion, politics, and performance form the loci of many of the most serious issues facing the world today, sites where some of the world¿s most pressing and momentous events are contested and played out. That this circumstance warrants continued, thoughtful, and imaginative engagement from those within the fields of theatre and performance is one of the guiding principles of this volume. This collection features a diverse set of perspectives, written by some of the top scholars in the relevant fields, on the many modern intersections of religion with theatre and performance. Contributors argue that religion can no longer be conceived of as a cultural phenomenon that is safely sequestered in the "private sphere." It is instead an explicitly public force that stimulates and complicates public actions, and thus a crucial component of much performance. From mystic theologies of acting to the neuroscience of spirituality in rituals to the performance of secularism,
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<P>This research project investigates the concepts of absence across the disciplines of theatre, visual art, and performance.</P><P>Absence in the centre of an ideology frees the reader from the dominant meaning. The book encourages...
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<P><EM>Theatre and Performance Design: A Reader in Scenography</EM> is an essential resource for those interested in the visual composition of performance and related scenographic practices. </P><P>Theatre and performance...
kr 423.00
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How are Black artists, activists, and pedagogues wielding acts of rebellion, activism, and solidarity to precipitate change? How have contemporary performances impacted Black cultural, social, and political struggles? What are the ways in which these...
kr 239.00
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