Through a genealogy of photosensitive elements in media devices and artworks, this book investigates three dichotomies that impoverish debates and proposals in media art: material/immaterial, organic/machinic, and theory/practice. It combines historical and analytical approaches, through new materialism, media archaeology, cultural techniques and second-order cybernetics. Known media stories are reframed from an alternative perspective, elucidating photosensitivity as a metonymy to provide guidelines to art students, artists, curators and theoreticians - especially those who are committed to critical views of scientific and technological knowledge in aesthetic experimentations.
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<P>In <I>Making Sense of Media and Politics</I>, Gadi Wolfsfeld introduces readers to the most important concepts for examining the interrelationship of media and politics. Five major principles are used to summarize the major arguments:...
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Through a series of examples of statistics in the media, this book shows you how to critically assess the presentation of data in the media, to identify what is significant and to sort verifiable conclusions from misleading claims.
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This powerful collection of essays clarifies Onuf's approach to international relations and makes a decisive contribution to the debates in IR concerning theory. Onuf updates earlier themes and develops some newer lines of research, embedding the...
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