Drawing on interview material from more than 20 leading stage managers from the UK, USA and Australia, this book situates the contemporary practice of stage management within its historical and social contexts. Questioning the notions of the invisible stage manager and a linear production process, it argues for a broader conception of stage management lying at the intersections of administration, management and artistry.Michael Smalley places stage management practice within key theories drawn from the diverse fields of performance studies, semiotics, phenomenology, distributed cognition, management and scenography. By comparing stage management practice with other technical theatre disciplines, this volume champions the creative agency of stage management. Instead of prescriptive templates and processes, it offers a detailed account of the properties of communication which stage managers manipulate and the objectives they set out to achieve as a guide for decision making. While it con
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- How do actors prepare a script of a Shakespeare play for performance?- Where do directors begin?- What do Shakespeare''s plays offer a designer or choreographer?- How do the cast and creative team work together in rehearsals?With <i>Shakespeare...
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<i>Voice and Speech for Musical Theatre </i>is the first book to combine traditional actor vocal training with musical theatre training, offering support and guidance for performers seeking to train their spoken voice specifically for singing...
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Now in its third edition, Woods and West¿s The Psychology of Work and Organizations provides students with a complete introduction to how psychology can help us to better understand the world of work and to change it for the better. Work psychology has...
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