<p>¿There is always an atheism to be extracted from a religion,¿ Deleuze and Guattari write in their final collaboration, <i>What Is Philosophy?</i> Their claim that Christianity ¿secretes¿ atheism ¿more than any other religion,¿ however, reflects the limits of their archive. Theological projects seeking to engage Deleuze remain embedded within Christian theologies and intellectual histories; whether they embrace, resist, or negotiate with Deleuze¿s atheism, the atheism in question remains one extracted from Christian theology, a Christian atheism. In <i>Sufi Deleuze</i>, Michael Muhammad Knight offers an intervention, engaging Deleuzian questions and themes from within Islamic tradition. <br/>Even if Deleuze did not think of himself as a theologian, Knight argues, to place Deleuze in conversation with Islam is a project of comparative theology and faces the challenge of any comparative theology: It seemingly demands that complex, internally diverse traditions can speak as coherent, m
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The progenitor of "Muslim punk rock" and one of today''s freshest spiritual voices pushes back against the common assumption that the historic faiths have no occult or magical tradition in this richly learned historical and personal...
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With a cast of characters ranging from Malcolm X to 50 Cent, Knight's compelling work is the first detailed account of the movement inextricably linked with black empowerment, Islam, New York, and hip-hop.
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Yusef is living in Buffalo, New York with a group of Muslim punks. A pot-smoking mohawked Sufi called Jehangir plays the rooftop call to prayer on his electric guitar, while debates rage downstairs about the Quranic sources for Iggy Pop songs.
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