<p>In the first two volumes of <I>Technics and Time</I>, Bernard Stiegler worked carefully through Heidegger''s and Husserl''s relationship to technics and technology. Here, in volume three, he turns his attention to the prolematic relationship to technics he finds in Kant''s <I>Critique of Pure Reason</I>, particularly in the two versions of the Transcendental Deduction. Stiegler relates this problematic to the "cinematic nature" of time, which precedes cinema itself but reaches an apotheosis in it as the <I>exteriorization process</I> of schema, through tertiary retentions and their mechanisms. The book focuses on the relationship between these themes and the "culture industry"¿ as defined by Adorno and Horkheimer¿that has supplanted the educational institutions on which genuine cultural participation depends. This displacement, Stiegler says, has produced a malaise from which current global culture suffers. The result is potentially catastrophic.</p>
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<p>What is a technical object? At the beginning of Western philosophy, Aristotle contrasted beings formed by nature, which had within themselves a beginning of movement and rest, and man-made objects, which did not have the source of their own production...
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<p><I>Disorientation</I> is the first publication in English of the second volume of <I>Technics and Time</I>, in which French philosopher Bernard Stiegler engages in a close dialogue with Husserl, Derrida, and other philosophers...
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In the aftermath of the First World War, the poet Paul Val¿ wrote of a ¿crisis of spirit¿, brought about by the instrumentalization of knowledge and the destructive subordination of culture to profit. Recent events demonstrate all too clearly that...
kr 229.00
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"What I love, and those whom I love, you, that is to say us in so far as we are capable of forming a <i>we</i>, all this I love, and I love them, and I love you infinitely" (Bernard Steigler April 1952- August 2020).When Bernard...
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