The Bolex camera, 16mm reversal film stocks, commercial film laboratories, and low-budget optical printers were the small-gauge media technologies that provided the infrastructure for experimental filmmaking at the height of its cultural impact. Technology and the Making of Experimental Film Culture examines how the avant-garde embraced these material resources and invested them with meanings and values adjacent to those of semiprofessional film culture. By reasserting the physicality of the body in making time-lapse and kinesthetic sequences with the Bolex, filmmakers conversed with other art forms and integrated broader spheres of humanistic and scientific inquiry into their artistic process. Drawing from the photographic qualities of stocks such as Tri-X and Kodachrome, they discovered pliant metaphors that allowed them to connect their artistic practice to metaphysics, spiritualism, and Hollywood excess. By framing film labs as mystical oradversarial, they cultivated an oppositiona
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Biopolitical Ethics in Global Cinema takes a new approach to world cinema through critical theory. Whereas world cinema often refers to non-American films deemed artistic or peripheral, Seung-hoon Jong examines its mapping frames: the territorial ''national...
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The rich and deeply moving sounds of film music are as old as cinema. The first projected moving images were accompanied by music through a variety of performers¿from single piano players to small orchestras¿that brought images to life. Film music has...
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This Very Short Introduction provides a lucid, accessible, and engaging overview of the subject of film music, from the pragmatic to the theoretical and from the historical to the personal. It is informed throughout by a global perspective which understands...
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From inception to reception and afterlife,Eyes Wide Shut traces the details of the origins and production of Stanley Kubrick's last film. It is based on extensive archival research and over twenty new interviews.
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