<b>How the interface has moved from the PC into cultural platforms, as seen in a series of works of net art, software art and electronic literature.</b><p>The computer interface is both omnipresent and invisible, at once embedded in everyday objects and characterized by hidden exchanges of information between objects. The interface has moved from office into culture, with devices, apps, the cloud, and data streams as new cultural platforms. In <i>The Metainterface</i>, Christian Ulrik Andersen and Søren Bro Pold examine the relationships between art and interfaces, tracing the interface''s disruption of everyday cultural practices. They present a new interface paradigm of cloud services, smartphones, and data capture, and examine how particular art forms—including net art, software art, and electronic literature—seek to reflect and explore this paradigm.</p><p>Andersen and Pold argue that despite attempts to make the interface disappear into smooth access and smart int
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