In the early 1950s, Willem de Kooning's Woman I and subsequent paintings established him as a leading member of the abstract expressionist movement. His wildly impacted brushstrokes and heavily encrusted surfaces baffled most critics, who saw de Kooning's monstrous female image as violent, aggressive, and ultimately the product of a misogynistic mind. In the image-rich Willem de Kooning Nonstop, Rosalind E. Krauss counters this view with a radical rethinking of de Kooning's bold canvases and reveals his true artistic practices. Krauss demonstrates that contrary to popular conceptions of de Kooning as an artist who painted chaotically only to end a piece abruptly, he was in fact constantly reworking the same subject based on a compositional template. This template informed all of his art and included a three-part vertical structure; the projection of his male point of view into the painting or sculpture; and the near-universal inclusion of the female form, which was paired with her re-d
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In 1926 22 year - old Dutchman Willem de Kooning (1904 ¿ 1997) travelled to the USA on a British freighter ¿ without papers and hidden in the machine room. The young art student eked out a living by painting houses, signs and façades, before he was...
kr 135.00
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<p>With informative, enjoyable texts and over 100 illustrations ¿ approximately 48 in full colour ¿ this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art...
kr 199.00
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A study of the paintings of Willem de Kooning (1904-1997), Dutch-born American abstract expressionist painter, from the 1940s through the 1970s. Using scientific examinations of the artist's pigments, binders, and supports, it informs art historical...
kr 319.00
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Boken inneholder fem artikler fra The originality of the avantgarde and other modernist myths (1985): Rutenett, Skulpturen i det utvidete felt, Avantgardens originalitet, Surrealismens fotografiske betingelser og Fotografens diskursive rom.
kr 300.00
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