A Dictionary of Film Studies covers all aspects of its discipline as it is currently taught at undergraduate level. Offering exhaustive and authoritative coverage, this A-Z is written by experts in the field, and covers terms, concepts, debates, and movements in film theory and criticism; national, international, and transnational cinemas; film history, movements, and genres; film industry organizations and practices; and key technical terms andconcepts. Since its first publication in 2012, the dictionary has been updated to incorporate over 40 new entries, including computer games and film, disability, ecocinema, identity, portmanteau film, Practice as Research, and film in Vietnam. Moreover, numerous revisions have been made to existing entries to account for developments in the discipline, and changes to film institutionsmore generally. Indices of films and filmmakers mentioned in the text are included for easy access to relevant entries. The dictionary also has 13 feature articles
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The rich and deeply moving sounds of film music are as old as cinema. The first projected moving images were accompanied by music through a variety of performers¿from single piano players to small orchestras¿that brought images to life. Film music has...
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This Very Short Introduction provides a lucid, accessible, and engaging overview of the subject of film music, from the pragmatic to the theoretical and from the historical to the personal. It is informed throughout by a global perspective which understands...
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From inception to reception and afterlife,Eyes Wide Shut traces the details of the origins and production of Stanley Kubrick's last film. It is based on extensive archival research and over twenty new interviews.
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The Bolex camera, 16mm reversal film stocks, commercial film laboratories, and low-budget optical printers were the small-gauge media technologies that provided the infrastructure for experimental filmmaking at the height of its cultural impact. Technology...
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