<P><B>Leading scholars historicize and theorize technology’s role in architectural design</B><BR/><BR/><BR/> Although the question of technics pervades the contemporary discipline of architecture, there are few critical analyses on the topic. <I>Design Technics</I> fills this gap, arguing that the technical dimension of design has often been flattened into the broader celebratory rhetoric of innovation. Bringing together leading scholars in architectural and design history, the volume’s contributors situate these tools on a broader epistemological and chronological canvas. The essays here construct histories—some panoramic and others unfolding around a specific episode—of seven techniques regularly used by the designer in the architectural studio today: rendering, modeling, scanning, equipping, specifying, positioning, and repeating.</P><P>Starting with observations about the epistemological changes that have unfolded in the discipline in recent decades but s
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Drawing upon art, science, philosophy, and the history of culture, this title explains the origin of the machine age and traces its social results, asserting that the development of modern technology had its roots in the Middle Ages rather than the Industrial...
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<p>What is a technical object? At the beginning of Western philosophy, Aristotle contrasted beings formed by nature, which had within themselves a beginning of movement and rest, and man-made objects, which did not have the source of their own production...
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<p><I>Disorientation</I> is the first publication in English of the second volume of <I>Technics and Time</I>, in which French philosopher Bernard Stiegler engages in a close dialogue with Husserl, Derrida, and other philosophers...
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<p>In the first two volumes of <I>Technics and Time</I>, Bernard Stiegler worked carefully through Heidegger''s and Husserl''s relationship to technics and technology. Here, in volume three, he turns his attention...
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